•“Virtual”
microphones with high directivity, controlled by mouse/joystick in order to
follow in realtime actors on the stage. They should be capable to modify their
directivity in a sort of “acoustical zoom”.
•
• Surround recordings with microphones that can
be modified (directivity, angle, gain, ecc..) in post-production.
•
•Get rid of problems with
Spherical Harmonics signals